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Now that we have all that custom, film-centric metadata, let’s do something smart with how we caption it. You can access this inside Lightroom’s export module by changing “Export to” to “Negative Lab Pro”, or by right-clicking an image and selecting one of the built-in export presets.
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Not only does Negative Lab Pro v2.1 extend LR’s metadata, it also adds a custom “export service”, so that you can take advantage of the metadata when you go to share it with other services. Then, when you export the RAW to tiff or jpeg, it allows you to generate and store the analog metadata in standard EXIF and IPTC fields. Instead, the custom metadata is stored non-destructively in Lightroom’s catalog. This is critical, because Lightroom uses the metadata in RAW files (like Camera Model and Lens) to select the corresponding camera and lens profiles to use in rendering, so you don’t want to overwrite this. The original standard metadata is not changed in the original RAW. In the Library module, just select the dropdown to the left of the “metadata” section, and select “Negative Lab Pro.” When you start add your analog metadata, you get all the time-saving features Lightroom has built-in, like Metadata Presets, Autocomplete, and Selectable Lists of past values used. Negative Lab Pro extends Lightroom’s own metadata engine with a custom section for film shooters. So, with a lot of input from the Private Facebook Group and this very forum, I’ve extended Lightroom’s metadata engine to make it the perfect tool for capturing your analog workflows.Ī simple, fast workflow for adding and editing film-centric metadata

So until now, my workflow has involved separate spreadsheets, complicated 3rd party tools, or simply hoping I can remember everything! Lightroom’s metadata engine is incredible (and fortunately for us, extendable), but by default it is decidedly focused on digital photography workflows. Custom Metadata ( Just for Us Film-Shooters)Įver since I started shooting more film, it bugged me that there wasn’t a good way to capture the richness of the analog process inside the metadata. It is the ideal film scanner for a wide range of users, including home users, lomographers, small office/workshop users, amateur photographers, and photographers.1. (For more information, please visit With the Plustek OpticFilm 8100, it is easier than ever to get started. Meanwhile, multitasking capable and 64-bit hardware support is extremely fast and efficient. The newly developed graphical user interface is more intuitive and easy to use. Its WorkflowPilot® guides users through all scanning and processing steps.
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The Plustek OpticFilm 8100 scanner is bundled with the newest version of LaserSoft Imaging’s acclaimed scanner software – SilverFast 8. SilverFast NegaFix® with over 120 profiles for negative film guarantees best results when converting negatives into brilliant positives. SilverFast Multi-Exposure® is especially for increasing the dynamic range, which adds more shadow details and eliminates noise. The Plustek OpticFilm 8100 and SilverFast software make a perfect combination. All OpticFilm scanners also include a custom carrying bag that can be used for transportation or storage. The scanner is about the same size as a loaf of bread and takes less space on one’s desktop. Two one-touch buttons make scanning easier and more efficient for sharing on websites such as Flickr, Facebook, Picasa, etc.Ĭompared with the conventional flatbed scanners, the Plustek OpticFilm 8100 provides a much smaller footprint. Its light sources give images a more precise color rendering with less power consumption.


Plustek OpticFilm 8100 is a dedicated and versatile film scanner with 7200 dpi optical resolution.
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Film high-resolution film and slide scanners are used by professional photographers, amateur photographers, graphic designers, photo labs, and schools worldwide.
